Sources

Billings, William. The Continental Harmony. Boston: Isaiah Thomas and Ebenezer T. Andrews, 1794.

___. The New-England Psalm-Singer. Boston: Edes and Gill, 1770.

___. The Porcupine, alias the Hedge-Hog: or, Fox turned Preacher. Boston: Benjamin Edes & Sons, 1784.

___. The Psalm-Singer’s Amusement. Boston: “The Author, at his house near the White Horse,” 1781.

___. The Singing Master’s Assistant. Boston: Draper and Folsom, 1778.

___. The Suffolk Harmony. Boston: “Engraved and Printed by J. Horman, for the Author, an dsold at his house near the Liberty-Pole,” 1786.

Brewer, Charles E. Singing Sedition: Piety and Politics in the Music of William Billings. American Music and Musicians No.3. Hillsdale, NY: Pendragon Press, 2017.

Kroeger, Karl, ed. The Complete Works of William Billings, Volume I. The American Musicological Society & The Colonial Society of Massachusetts, Boston, and distributed by the University Press of Virginia, 1981. https://www.colonialsociety.org/publications/3321/complete-works-william-billings-volume-i

___. The Complete Works of William Billings, Volume II. The American Musicological Society & The Colonial Society of Massachusetts, Boston, and distributed by the University Press of Virginia, 1977. https://www.colonialsociety.org/publications/3333/complete-works-william-billings-volume-ii

___. The Complete Works of William Billings, Volume III. The American Musicological Society & The Colonial Society of Massachusetts, Boston, and distributed by the University Press of Virginia, 1986. https://www.colonialsociety.org/index.php/publications/3350/complete-works-william-billings-volume-iii

___. The Complete Works of William Billings, Volume IV. The American Musicological Society & The Colonial Society of Massachusetts, Boston, and distributed by the University Press of Virginia, 1990. https://www.colonialsociety.org/publications/3366/complete-works-william-billings-volume-iv

McCay, David P., Richard Crawford. William Billings of Boston. Princeton University Press, 1975.